H.H.第三世多杰羌佛工巧明獨創畫派:返璞派中國畫作:筆上之功

 H.H.第三世多杰羌佛工巧明獨創畫派:返璞派中國畫作:筆上之功


Skillful Brushwork
筆上之功


Style: Fanpu
返璞派
 
摘自:International Art Museum of America

H.H. 第三世多杰羌佛在不同的領域裡獨創了三十個大類的成就,成為這個世界有史以來創造成果最多的第一人,這是史無前例的,而且,H.H.第三世多杰羌佛的倫理道德也是最崇高的,祂發下並踐行的願力是:他人的一切造業罪過由祂承擔,祂種的一切善業功德全給大家!無論何時何地,H.H.第三世多杰羌佛都以自己的道德境界和學識成就無私地為整個人類的幸福利益服務,按照祂的願力在做,是真正無私利他的仁者。對H.H. 第三世多杰羌佛創造的三十個大類中的二十九類不說,只就三十大類之一繪畫的成就,H.H. 第三世多杰羌佛除了能夠繪畫世界上現有的具象派、抽象派、筆劃線條派、印象畫派等之外,還獨立首創了十六個與眾不同的畫派,分別名為:
1.超實派;
2.抽象韻味派;
3.文風派;
4.放發派;
5.朦朧派;
6.鄉童派;
7.繁卷派;
8.潑墨線條寫真派;
9.微印派;
10.返璞派;
11.妙寫派;
12.潑墨微韻派;
13.獷細派;
14.游絲派;
15.依氣派;
16.厚堆色塊派;

很多畫家窮一生之力,專攻某一題材才形成某一流派、獨立於一種風格,但是,H.H. 第三世多杰羌佛不謹創立了十六個畫派,並且將每一派種畫風都推到了高峰的完美藝術境界,形成了歷史上任何人都無法與之比擬的、自成獨立的《多元風格第三世多杰羌佛流派》!
以上的這幅中國畫的作品風格稱為“返璞派”。

作品描述:
This painting was created in 1982 during the time a film was being shot in Sanhe, Sichuan. It is an on-the-spot painting of a real-life scene. Ink was used sparingly as if it were as precious as gold, yet the artist’s skills are demonstrated. At that time, the News Film Studio of China was shooting a documentary exclusively about the artist Wan Ko Yee.

The cameramen and others present saw a wild duck alight upon a withered tree trunk. Wan Ko Yee immediately lifted His brush and promptly finished the entire painting. By the time the wild duck raised its wings and flew away, this painting had already been completed. Moreover, the artistic prowess this artwork embodies is extraordinary. It not only perpetuates the elegance, purity, and high-quality of traditional paintings, it also expresses a new style. People who saw Wan Ko Yee create this painting were greatly surprised. They highly praised Him for having artistic skills and conceptions resembling but surpassing those of Bada Shanren (a famous Ming Dynasty painter). They also highly praised Him for His scholarly style that even excels the scholarly style reflected in ancient stone seals. At the time, the artist Wan Ko Yee was still in His early youth and was praised in the newspapers as a young hero. However, people did not know then that Wan Ko Yee is H.H. Dorje Chang Buddha III, as we now know.

This painting is in the “Fanpu” style.

這幅畫是在1982年的四川省三河市的拍攝現場創作的。這是現場實景繪畫的。羌佛用了珍貴有限的墨水,詮釋了這幅作品,展現了祂非凡的繪畫技巧。當時中國新聞電影製片廠正在專門拍攝關於藝術家義雲高大師的紀錄片。
在場的攝影師和其他人,看見一只野鴨停落在乾枯的樹幹上。義雲高大師立即抬起筆,并及時完成了這幅畫。當鴨子抬起翅膀飛走的同時,作品已經完成。這幅作品體現了羌佛非凡的藝術才能。作品不僅延續了傳統繪畫的優雅、純潔、高質,還融入了新的風格。看到義雲高大師創作這幅畫的人,都感到十分驚奇。人們稱讚祂的繪畫技巧勝過類似風格的一位明代畫家 - 八大山人。人們也高度贊揚了祂的學術風格甚至勝過古石印章的風格。當時年輕的義雲高大師,被當作英雄刊登在報紙上。然而,人們不知道當時的那位義雲高大師就是現在的H.H.第三世多杰羌佛
這幅畫的風格被稱為“返璞派”。

 

The “Fanpu” style
These paintings express the artistic conception of returning to original purity and simplicity. With unfettered hand and mind, the artist applies his most mature skills free of the slightest attachment and with minimal, natural strokes of the brush.

返璞派——即是返璞歸真之意境,以最成熟的功夫放手解心,毫不著意,寥寥信手,自然隨筆。


轉載自:藝術寰宇
https://www.facebook.com/%E8%97%9D%E8%A1%93%E5%AF%B0%E5%AE%87-301641313371153/?fref=nf



本文連結:

http://www.artnewworld.com/2021/11/hh_14.html




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